The progression from innocence to experience in william blakes poetry

The Era of Romanticism:

The progression from innocence to experience in william blakes poetry

Hire Writer Though this visionary aspect explains much of the mysticism and obscurity of his work, it is also the element that makes his poems singular in loveliness and beauty.

It is amazing that he could thus, month after month and year after year, lay down his engraver after it had earned him his lily wages, and retire from s the battle, to his imagination where he could experience scenes of more than-earthly splendor and creatures pure as unfasten dew.

Like Sweeteners, Blake narrates things unheard and unseen; more purely a mystic than Sweeteners, he does not condescend to dialectics and scholastic divinity. However, it is also important to note hat he was unlike common atheists.

Cruel, Jealous, selfish Fear! Can delight, Chained in night, The virgins of youth and morning bear? In the clash of creeds, it is always a comfort to remember that sects with their sectaries, orthodox or otherwise, could not intersect all, if they were not in the same plane.

SparkNotes: Songs of Innocence and Experience

In his championship of liberty, his mysticism, naturalism, idealization of childhood, and simplicity Blake could be called a precursor of Romantic poetry in nineteenth century England.

Dip him in the river who loves water…. The busy bee has no time for sorrow…. The most sublime act is to set another before you… The cistern contains: It can otherwise be construed as a prophetic rage. But after, all wrath and mercy unite at the same point where the ultimate reality of God is felt.

The progression from innocence to experience in william blakes poetry

The close of the poem gives us the clue: Blake is first and foremost a poet of visions and mysticism. But of, his visions are not confined to a narrow streamline of thought about futurity alone; they take the present into consideration and unfold those aspects of contemporary society detrimental to free growth of the mental powers of man.

He probes beneath the surface of things and exposes the roots of social vices, the hidden sores and scars of a tradition-bound society. Ever can it be! Never, never can it be!

A drenching in happiness and pain

Indistinct and imagination or the beastly and divine nature of man is necessary for a fuller life of the soul and for its progress. It is a grievous mistake to sanctify the lamb and turn an eye of defiance towards the tiger. Blake opposes such a view and gives equal prominence to sense and soul, the wild and meek aspects of human beings.

The harmlessness of the lamb and the purity of the heart of a child are nothing but the manifestation of heart nor does he act premeditatedly.

The air of innocence is clearly visible on the face of all the three of them. From the morn to the evening he strays; He shall follow his sheep all the day, And his tongue shall be filled with praise.

Christ refers to himself as the Lamb of God: In this aspect the lamb has a religious significance too. In the forest of experience Blake finds the bright- eyed tiger which appears to involve all the cosmic forces.

» William Blake: Songs of Innocence and Experience

The creator is a supernatural being and not necessarily the Christian God. The creation, according to another elucidation takes place in an extraordinary cosmic commotion.

When the constellations turn round in their course there is a move from light to darkness. Instead, the evil is embodied in the wrath of God. Christ, like all other Gods, has a dual duty. He punishes the sinners and offenders and loves the followers. Thus Christ or God becomes the God of both love and unkindness.

The fire is a popular symbol of wrath. Blake finds virtue in wrath and what he describes in the righteous indignation or the wrath of a pious soul.

In addition to this, if we also construe the symbolic meaning of the forest, then we can substantiate the meaning of the lines. Its symmetry is fearful and the glow of its eyes is unearthly. The tiger beyond its superficial tatty is a prototype of God whose harsher aspect is present n the wildness of the creature.

It is a contrast and counterpart to the innocence of the lamb.Songs of Experience is a poetry collection of 26 poems forming the second part of William Blake's Songs of Innocence and of poems were published in (see in poetry).Some of the poems, such as "The Little Girl Lost" and "The Little Girl Found", were moved by Blake to Songs of Innocence and were frequently .

In William Blakes poem, “Introduction” to Songs of Innocence” the speaker is greeted by a child as it says “On a cloud I saw a child” (line 3) who tells him to play a song about a lamb. After the child hears the music, he inquires if he can drop his pipe and sing the words.

William Blake’s Songs of Innocence and Songs of Experience Essay. Trace how Flake’s thought develops from his poem ‘The Lamb’ and ‘The Tiger’ together- “l have no name: I am but two days old. The manner in a particular mood is a remarkable illustrated in the ‘Nurse’s Songs’ in Songs of Innocence and Songs of Experience occur in both poems: yet the feelings evoked because of the accompanying words are in sharp contrast.

William Blake was an artist, poet, mystic, visionary and radical thinker. Working at a time of great social and political change, his work explores the tensions between the human passions and the repressive nature of social and political conventions.

In Songs of Innocence and of Experience, perhaps. “Songs of Innocence” and “Songs of Experience”: Blake’s Concept of Contraries Posted 28/11/ 09/12/ monami mukherjee In his attempt to communicate his essential divine vision, William Blake created a poetic world where images are realized in their individual contexts and the contexts are realized in the unique Imagination of.

Blake’s “Introduction” (No. , Ch 12) | Introduction to Poetry (W)